This is so bizarre ... writing in the ozone with no guarantee that anybody else is out there.
If you are, hopefully you haven't been holding your breath, waiting for the next post.
Just finished the first draft of my second novel. Perhaps that is wishful thinking. I thought it was finished two weeks ago. Turns out I didn't have enough words. The first one was too long by nearly 30,000 words. Now this one is too short.
Maybe I can combine the two of them and then just cut it in half in the middle. That would be interesting reading.
Oh, yes, there is a reason why I've surfaced once again - besides the fact that I finished a first draft today and can now think and act like a (fairly) normal person again.
Neither of the books I've written have a romance. They are both adult action/suspense/thrillers. They both have significant women characters.
But - not in the chic-lit sense, at least - neither one has a romantic sub-plot.
Now, I admit, I'm over 45 and there is snow on the roof. But when I'm writing a suspense novel, I'm thinking of driving the plot, stepping up the action. I'm not thinking of getting a squeeze with Mata Hari. My wife would never go for that, anyway.
My point (question) is, how do you do that?
I'm a plot-driven writer, not a character-driven writer. I don't spend weeks creating a persona for each character, delving into the inner sanctums of each person's navel. In fact, I'm generally surprised when characters begin to display personality quirks because I certainly didn't plan them.
So, if there's any of you out there (if there is anyone out there) who enjoys developing romantic sub-plots in suspense or thriller novels, give me some clues. I know how you crime drama folks do it - every gumshoe has a dame. But, how about the rest of us?
There may be snow on the roof, but how can we get some fire in the furnace?